Page 6 - Katten Kattwalk and Kattison Avenue - Winter 2026 - Issue 5
P. 6

Works Entering the Public Domain Present Commercial Opportunities

        for Retailers and Advertisers — But Tread Carefully! (continued)



                                                                                         the deceased performers
                                                                                         in advertisements. It
                                                                                         is worth noting that a
                                                                                         deceased person’s post-
                                                                                         mortem right of publicity
                                                                                         depends upon the laws of
                                                                                         the state in which he or
                                                                                         she resided at the time of
                                                                                         death, and different states
                                                                                         have different statutes (or
                                                                                         common law) governing
                                                                                         the commercial use of a
                                                                                         deceased person’s name,
                                                                                         voice, photograph or
                                                                                         likeness.

                                                                                         Early iterations of numerous
                                                                                         cartoon and animated
                                                                                         characters entered the
                                                                                         public domain as well.
                                                                                         But there are greater risks
        Notable films that entered the public domain            involved in making unfettered use of these characters
        include All Quiet on the Western Front, which won the   in new works. For one thing, it is only the version
        Academy Award for Best Picture; King of Jazz, which     of the characters as they existed in 1930 that has
        included Bing Crosby’s first feature-film appearance;   entered the public domain; later revisions to and
        popular all-time favorite Animal Crackers, starring     modernizations of such characters, as well as later
        the Marx Brothers (“One morning I shot an elephant      storylines featuring the characters, remain subject to
        in my pajamas. How he got in my pajamas, I don’t        US copyright protection. In addition, many characters
        know.”); Soup to Nuts, which starred later members of   are also protected by trademark law, so the owners
        The Three Stooges; Greta Garbo’s first “talkie” film;   of characters that have entered the public domain
        Jean Harlow’s film debut; and The Big Trail, which      may have other legal recourse for unlicensed uses by
        featured John Wayne’s first leading role.               members of the public.

        Although the films themselves may have entered the      Among the 1930-vintage characters that have
        public domain, that does not give a retailer or other   entered the public domain are: “Betty Boop” from
        advertiser carte blanche to use clips and recognizable   Fleischer Studios’ Dizzy Dishes; “Rover,” who was
        scenes to market their goods and services. That’s       later renamed “Pluto,” in certain Disney works;
        because motion pictures include the photographs,        “Blondie” and “Dagwood” from the Blondie comic
        likenesses and voices of recognizable actors and        strips; and several “Mickey Mouse” cartoons and
        other performers. Even though these celebrities         comic strips. Betty Boop has been featured in
        may have passed away, their heirs may own and           numerous commercials and advertising campaigns,
        control their “post-mortem” rights of publicity, and    most famously for Lancôme mascara, while Blondie
        the heirs’ consent may be required to incorporate       and Dagwood have been used to promote A&W
                                                                restaurants, Kraft Foods and Kodak, among others.




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