Page 10 - The Katten Kattwalk - Fall 2024 - Issue 28
P. 10
Stating the Obvious
The Federal Circuit overturned its 42-year-old obviousness test
for designs. Fashion companies, take note.
By Julia L. Mazur
T he shape of a handbag, the red sole of a shoe: workmen of the trade, and in the way and manner
for fashion companies, design patents have
ordinarily done.” More recently, the Supreme Court
4
long played a role in brand protection efforts.
reiterated the need for caution in granting a patent
To file a design patent application, however, based on a combination of elements found in the
a company must identify some part of an article that prior art, but rejected rigid, mandatory formulas that
5
is new, original, ornamental and non-obvious — and prevent fact finders from applying common sense.
now, the legal test for non-obviousness has changed. Now, finders of fact should generally apply the “fact-
In May, the US Court of Appeals for the Federal based non-rigid test” established in Graham v. John
Circuit overruled its longstanding test for determining Deere Co. of Kansas City, which analyzes whether
6
whether a design claimed in a design patent or an invention claimed in utility patents or applications
application is obvious and therefore not patentable is obvious to determine whether related designs are
under Section 103 of the Patent Act. In its place, the obvious. LKQ Corp., 102 4th at 1301. The Graham test
1
Federal Circuit adopted a more flexible test meant has four factors.
to better align with the Patent Act, Supreme Court
precedent and the obviousness test used to analyze Step one: Evaluate the “‘scope and content of
inventions claimed in utility patents or applications. the prior art’ within the knowledge of an ordinary
designer in the field of design.” The primary piece of
7
Under the prior Rosen-Durling test for obviousness, prior art no longer needs to be “basically the same”
a challenging party seeking to prove a design was as the design at issue. However, the prior art must
obvious (and therefore ineligible for protection) had be “analogous art” to protect against the benefit
to first show that a single piece of prior art had design of hindsight. The Federal Circuit did not overrule
8
characteristics that were “basically the same as the precedent for determining analogous art, but left
claimed design” (i.e., a Rosen reference). If there was open whether prior art from a different field than the
2
no Rosen reference, the obviousness inquiry ended. design at issue could be analogous art.
9
If a Rosen reference was identified, the challenger
could argue that designs in other references could Step two: Assess the visual differences between the
be used “to create a design that has the same overall prior art designs and the claimed design from the
visual appearance as the claimed design,” but only if perspective “of an ordinary designer in the field of the
10
they were “so related” to the Rosen reference that “the article of manufacture.”
appearance of certain ornamental features in one would Step three: Determine the knowledge or level of skill
suggest the application of those features to the other.” of an ordinary designer who designs articles of the
3
type presented in the patent or patent application. 11
The Federal Circuit, en banc, found that this test
was inflexible and inconsistent with Supreme Court Step four: Analyze whether the design is obvious or
precedent. For example, in Smith v. Whitman Saddle non-obvious, focusing on the visual impression of the
Co., the Court found a horse saddle design obvious claimed design as a whole. If a primary reference
12
because “[n]othing more was done” than to combine does not render the design obvious, other references
the front half of one saddle with the back half of can be considered. They need not be “so related,”
another “in the exercise of the ordinary skill of and the motivation to combine them to create the
10 katten.com/fashionlaw